(275CNY)Item ID：20305

As the seller lists it, in cm. Chest and waist are sometimes measured all the way round.

(275CNY)Item ID：20305

https://shop1786501013.v.weidian.com/item.html?itemID=7774118309 All-wool knitted round-neck short-sleeved shirt The main body is made of 26 strands of pure wool, which are woven on the Stor 352 cross loom to create a tight double-sided weft-faced stitch structure. The loops are precisely joined together, giving the fabric a dry, firm, and bone-like feel - crisp yet not stiff, with a calm arc when hanging. This is the starting point of Prada's minimalist style: from a distance, it appears as a pure color block; up close, it is an absolute order formed by millions of identical loops. The neckline, cuffs, hem, and the flap of the left chest pocket have all been replaced with 48-ply pure wool. They are woven on a regular nine-ply warp knitting machine in a 1×1 fine rib pattern. The yarn count has suddenly increased, and the stitch spacing has become denser. As a result, the resilience and flexibility of the ribbing have doubled. The gathering part naturally fits the body but retains an airiness. The most crucial aspect is the color - all the ribbing on the accessories is of a different color from the main body. Suppose the main body is an industrial cement gray, then the ribbing on the neckline might be a cold-cooked black, the cuffs and hem might use raw brown or deep navy blue, and the ribbing of the left chest pocket flap might have a separate muted mineral brown tone. They mark each functional edge on the same piece of clothing with different colors, like calm color block analysis. The pocket on the left chest, with its cover, is itself a miniature theater of craftsmanship. The body of the pocket is made of the same material as the main body, while the cover is made of 48-ply all-silk interwoven ribbons and is stitched in an interlocking pattern. When the edge of the cover naturally curls, the fine ribbed texture forms a contrast with the longitudinal loops of the main body. Whether it is fastened or not, it is a detail of constructivist style. The triangular piece on the back is not woven with a shuttle but retains the texture of the knitted structure, maintaining the same overall knitted language. The edge of this triangle is neatly outlined with a flat stitch. The stitches are exposed accidentally, the lines are straight like engraving, the spacing is precise, like a structural line marked with data on a design sketch. It not only strengthens the piece but also presents the "garment-making process" itself as a calm decoration: you can see the threads, the logic of the stitching, and what constitutes rational sensuality. Ultimately, the entire piece is a combination of different craftsmanship arrangements: the tight double-sided plain weave on the main body, the dense-tooth high-elastic ribbing on the accessories, the seamless flat car combination on the back triangle, and the clash of different-colored ribbing on the pocket cover. There are no unnecessary decorations, but every seam, every corner, and every stitch has been meticulously arranged - this is precisely the core of the Prada style: using the most exquisite craftsmanship to build a seemingly simple but never truly simple garment.